Our Story
Driven by the demands of 21st century economies, we successfully work side-by-side with design managers, designers, pre-media, and printers – to realize design potential, and create tangible cost-savings.
We are passionate people
Artisans, designers and technicians from every corner of the packaging, design and print community. We are inspired by technology and fed by creativity. Most of us have worked together for years, driven by the constant challenges of our business, to be better, to do better, to think harder.
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Gordon Plotkin
Principal and Founder
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Lonnie Brawer
VP Director of Innovation
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Ruzena Gremski
Studio Manager
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Brett Izsak
Director of Operations
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Mike Thompson
Production Manager
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Leigh Munro
Director of Creative Initiatives
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Hugo Arroyo
Finishing Manager
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Maretta Jackman
Project Leader
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Lucie Teichmann
Office Manager
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Tom Tullio
Director of Prepress
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Jon Davies
Pre-Press Separator
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P.J. Szymkowiak
Pre-Press Separator
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Rachael Pease
Print Department Manager
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Pete Valente
Sr. Print and Color Specialist
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Wil Medearis
Print and Color Specialist
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Hollie Thompson
Print and Color Specialist
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Arlo Paust
Print and Color Specialist
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Dave Bogdan
Finishing Specialist
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Margo Vargas
Finishing Specialist
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Pauline Decarmo
Finishing Specialist
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Connie Seyfried
Accountant

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1983
Studio Type & Screen. Commercial silkscreen printing company introduces Comp services for CPG companies.
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1992
Screenworks is born and partners with Rosepoint Graphics. With our combined history in commercial printing and fine arts we begin to influence our clients brands with creative thinking and technical execution.
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1995
Digital printing is introduced to our market. We begin exploring digital printing for sales samples.
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1997
Colgate Total toothpaste is introduced in the U.S. We partner with Colgate’s design agency and print vendor to “authentically” explore custom holographic treatments within design and print capabilities. It’s a category game-changer and quickly becomes the market leader.
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1998
Emerging technologies increase possibilities for design and printing. We are reborn as Inwork, with a new identity for a new industry. Orange becomes us.
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1999
Subtleties in digital designs create demand for improved ink, plate and press technology. We partner with supply chain to authentically explore ways to support delicate graphic effects–representing real results.
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2000
Inwork’s growth forces a move to a larger studio
in Tribeca. -
2001
We create global color and print standards for both Gillette and Ponds.
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2002
Comp Revolution!
We move to our Broadway location and redefine our focus as comp service provider—to deliver the highest level of print feasibility in comp development for our industry. -
2004
We invent the Inwork Kit: Print standards delivered as a roadmap for brands, design firms, separators, printers. The groundbreaking tool helps ensure design accuracy on shelf, and saves time and money.
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2005
Pepsi (Project Choreo-
graphy) adapts The Inwork Kit throughout its global supply chain. -
2006
Cadbury unveils Stride. Inwork develops complex color palette with CPG and Design partners to control color tolerances.
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2008
Inwork invests in a massive equipment upgrade to allow increased workload, flexibility and accuracy.
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2010
Korres Worldwide Color Guidebook. Inwork customizes color standards for international print partners to ensure Worldwide consistency for the brand.
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2012
Inwork North, our new Innovation Center, opens
in Garnerville, New York. We hold exclusive rights to a tabletop Cast and Cure™ machine.
